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Focus: rattan
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Rattan processing and weaving | ph. Serena Eller
"At Incalmi, everything becomes one." This is the first point of our manifesto, and it describes the experimental process that leads us to the combination of different materials. In fact, the primary characteristic of our objects is that they are multi-material. We use glass, metals, marble, wood, rattan, leather - the materials of traditional Italian craftsmanship, which we reinterpret in the light of a contemporary aesthetic. In this series of articles, we explore them one by one. After metals e marble, here is rattan.

Why rattan?

Rattan is one of many botanical species used to create objects and furniture elements. At a superficial glance it is difficult to distinguish it from reed, wicker and sometimes bamboo, but botanically it is a completely different plant. Rattan, of which there are more than six hundred different species, is a climbing plant that looks like a bramble bush.
Rattan fibers woven and tied together | ph. Serena Eller



Vienna straw can be made from its bark, while the noblest part of the cane is the wicker. Extraordinarily versatile, it splinters with difficulty, which is why it is chosen for the manufacture of so many objects: from furniture to baskets, from walking sticks to those used in some martial arts.

Incalmi AND rattan

Weaving branches and plants is not only one of the oldest and most widespread artisan craft in the world; it was one of the flagships of the Veneto region from the late 19th century to the 1990s. In Barbisano, now a hamlet of Pieve di Soligo, in the province of Treviso, the Scuola dei Panierai, one of the area's leading businesses, had been based since 1886. Founded by lawyer and landowner Pietro Stefanelli from Venice, it had both economic and philanthropic purposes. The idea came to Stefanelli after visiting a panierai school near Gorizia, then part of the Austro-Hungarian Empire. The Veneto region, and the province of Treviso in particular, were going through a severe economic crisis at the time, exacerbated that year by a failed harvest. With great foresight, Stefanelli sent some peasants to learn the trade in Gorizia, in a sort of Erasmus ante litteram, offering a more than decent alternative to emigration for the many unemployed peasants. The Scuola dei Panierai became an example of thriving industry in a depressed area, turning Barbisano into a center of excellence for at least a century.Our intent, too, is twofold: on the one hand to expand our research on the materials of the Italian tradition, on the other hand, to support a craft knowledge that is in danger of being lost. Due to the short-sighted transfer of production to Asian countries and the introduction of polirattan, a plastic material that has begun to replace the natural one, only one craft workshop survives in Barbisano today.
Stages of rattan processing | ph. Serena Eller



Our approach to rattan processing

According to our philosophy, when designing rattan objects we have tried to hybridize materials and processing. In addition, we have initiated experiments on coloring the material with natural resins.

Dragon's Blood Tree
Rod Waddington from Kergunyah, Australia, CC BY-SA 2.0, via Wikimedia Commons
Dragon's Blood
Bjørn Christian Tørrissen, CC BY-SA 3.0, via Wikimedia Commons
Bombé processing
Ph. Serena Eller


Rattan made in Incalmi: the example of the Rullo lamp and the new BombÉ tray

Rullo is an LED wall sconce composed of a coated brass stem and a colored glass disc. In one of its four versions, the stem is covered in hand-woven natural rattan and copper. This is a simple weave, traditionally done using bombé rattan, or simply debarked rattan. To enhance the lighting effects created by the stained glass, in the Rullo lamp we replaced one of the rattan strands with a copper wire. In doing so, we expanded the boundaries of traditional weaving, opening it up to the world of metal.
Details of rattan processing, Rullo lamp | Incalmi Collection 2024



Bombé is a round enameled copper tray with an optical design that recalls the waves and colors of the lagoon, set in a frame of manila, the pith of rattan. The handles are embellished with two bombé rattan weaves, in red Incalmi.

Making the Bombé rattan tray | Incalmi Collection 2024



«Our goal is twofold: on one hand, to expand our research on traditional Italian materials; on the other, to support artisanal knowledge that is at risk of being lost».